Beat in her blood, J.K.Ullrich (Wild Type Press 2022)

Set in Baltimore in the near future, medical science is outrunning regulation and a black market of robotic limbs and implants has developed for HPM – human performance modification – servicing a willing population. So willing, people are ready to chance their luck with shady doctors moonlighting in back-alley operations. 

Lay down your guns: how authors and editors navigate ego, ownership and the creative process in publishing fiction

Understanding authority in the author–editor relationship will help both parties in its navigation. This research argues that the perspectives through which this partnership has been viewed to date have not been helpful to understanding its most productive form. While valuable in articulating some of the editing relationship’s functions, these perspectives have limited its role and scope, doing both author and editor a disservice. Prevailing descriptors of editors are no longer useful prisms through which to view the relationship. These characterisations of editing as background, supporting roles impede the development of a relationship in which the editor’s professionalism, their expertise and ability to impart knowledge effectively leads to trust and opportunities for growth. In an ideal, balanced relationship, forged to create the best book possible, the editor and the author will acknowledge the process and engage with it throughout the edit. It is time to move beyond the question of who has more authority in the relationship, which perpetuates an infantilising culture and a unproductive dichotomy. A more apt term for the editing process is partnership in which authors, recognising and using the collaborative opportunity to go further, see the relationship as an equal one.

Searching for butterflies

Why do we travel? The search for an ephemeral experience, it is transitory–contrived–by definition. We are on the hunt for something beautiful. We had just spent a week in Thailand, on the island of Phuket, my south-east Asian roots calling. Our Covid chrysalis saw us emerge blinking...

Mum’s L of a learning curve with teen in the driver’s seat

My youngest child drove herself to work this morning. Her after-school and weekend job is across town in the martial arts school where we have both trained since she was five. We have been driving across Sydney, from the trees and water of the land just north of Parramatta River, the river that cuts through Sydney opening into the Harbour, to the denser, dirtier, livelier inner-south-west for twelve years.

Jane Caro, The Mother

Though I knew the gist of the issues raised by The Mother before I began – I’d read the devastating stories of victims of domestic violence, watched the news, and thought I understood the issues – this novel still shocks.

The Furies, Mandy Beaumont and On Reckoning, Amy Remkeikis

https://newtownreviewofbooks.com.au/mandy-beaumont-the-furies-and-amy-remeikis-on-reckoning-reviewed-by-jessica-stewart/ Two books released in this nascent year recount women’s trauma and silencing by men, and their rage.  In On Reckoning, an essay in Hachette’s ‘On’ series, Guardian journalist Amy Remeikis documents the rising tide of women’s anger that led to thousands marching in last year’s March4Justice. In The Furies,novelist Mandy Beaumont carries that anger in a compelling story …

Overland 6 April 2022

When I moved into a second career in editing and publishing, friends told me that working as an editor might temper my love of books—that a professional eye might spy previously unnoticed flaws. I dismissed this, but they were right. Before, if a book left me restless, dissatisfied, annoyed, I would simply close it and move on. Now, I knowwhat is wrong, why I, the reader, feel short-changed.

Marshmallow, Victoria Hannan

After the success of her debut, Kokomo, in 2020, Victoria Hannan’s second novel is another study of friendship. Its five characters have been friends since university. They are now in their thirties and each is grappling with a pre mid-life but post first-flush weariness. But this weariness is not ennui; through their shifting points of view, Hannan brings us their shared sorrow.